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Wednesday, January 28, 2015

The Asterisk (A Personal Essay)

It was six in the morning: I sat in a cab dangling on small-talk with a middle-aged white male cabbie basted in the demeanor of the over-friendly uncle. He asked me about school—I'm hyperawake, paranoid, body pulsing, feeling loose, depersonalized, and lightly psychedelic—my vision wavering as if someone had entered my skull to punch raw brain. I did a gram and a half of cocaine that night; mixed lines with ketamine to simulate a proto-psychosis, but am convinced I may very well have driven myself past the point of no return. I'd been doing this strict mix for over 2 straight weeks, landing myself in out-of-body experiences and coked-out drawls on the floor like a sad, puckered monkey chewing on a lemon it mistook for an orange. Why I led myself to this existential precipice is both beyond me and totally within my rational sympathies if I pretend I am on the outside looking in.

When I was 18—drawn, for the first time—away from smalltown Powell River and into the Vancouver suburbia of Port Coquitlam, my only successful job-find was a McDonald's arched inside a Wal-Mart. The double-insult this presented me as a teenage anarchist pushed me deep into my first true emotional crisis which I only turned to accept after a particular phonecall with my father in which he appealed to me to think of this stint as a 'temporary social experiment'; a chance to learn and breathe this proletarian experience from the inside out. During the pre-Christmas nightshifts, the only customers we ever had were the dark, apathetic silhouette-people Wal-Mart hired to greet the absolutely no one's walking through the door. I incessantly cleaned what was already a mirror-wet floor and made sad conversation with Rosario—the slightly autistic shift-manager with a prickly-shave of a face and an awkward sense of humor I could never come to appreciate and yet always managed to humor in polite obsequiousness. Regardless, it was a form of spread and endless boredom that began to fascinate me; it brought me to a darkness I had never quite known. It was an experience—like all experiences—to be had at least once, to the fullest and truest intensity. To be pushed with reckless sincerity.

Ever since, I have found myself pushing every limit to disembodied extremes—on occasion, to points of such profound irresponsibility or feigned responsibility that I break a particular streak and wind-up on the other dichotomous side of whatever line I unintentionally (or intentionally?) crossed (or broke?) because everything is a social experiment and I've touched the multifarious lives of overworked modernity, residential care aide, dishwasher, Christopher McCandlessesque wilderness jaunt, melancholic Kierkegaard, psychonaut, and now: a short-lived junkie inspired by the excess of Burroughs and the early beatniks all willing to kill their darlings for the sake of blood-stained posterity.

And yet meanwhile—in the cab—I can feel my headache grow perceptively wider from my left temple. Almost like a mushroom cloud over Bikini Atoll I am watching from as safe a distance as the physical body can withstand, according to some calculable hypothesis drafted by Oppenheimer himself. I am constantly amazed at how lucid I am in conversation with this friendly cabby; given that I feel as if I'm about to go schizo, focusing so deftly on the way the streetlights glide across placid puddles moving only with our tires intervention—and the way I keep imagining insanity in the form of a zombie-likeness of myself strapped into an electric chair, skin melting and eyes rolling back in my head as I seizure to metaphysical death—I still laugh away short quips about the blind-leading-the-blind (he has no idea how to find my destination, and keeps pulling over to check a book road-map for 4143 Hessington Place). The only reason I am with him now is that I am venturing to see my girlfriend at her group-house past Uvic where the door is always unlocked for friends and friends-of-friends, she being the only solution to this crisis with her stash of .5 Xanax pills.

I remember those tense moments—with my body and brain as taut as a bow—he would pull over or pull out and my entire existence seemed to move through space and time as if against a wind that was perpetually in resistance—as if my entire consciousness was going to capsize into some form of overdosed darkness. Even when I exited the cab and waved a friendly goodbye to the old man, I could feel my dopamine receptors attempting to fire on empty. This caused a latent buzz that was only solved with two milligrams of alprazolam and my eyes wide shut until my head shut down.


I held her close. I knew she thought I was an idiot.  


*PLEASE NOTE: THIS IS A 'PERSONAL ESSAY' ASSIGNMENT WRITTEN FOR MY CREATIVE NONFICTION CLASS, JANUARY 27TH, 2015

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The world is meaningless,

there is no God or gods, there are no morals, the universe is not moving inexorably towards any higher purpose.
All meaning is man-made, so make your own, and make it well.
Do not treat life as a way to pass the time until you die.
Do not try to "find yourself", you must make yourself.
Choose what you want to find meaningful and live, create, love, hate, cry, destroy, fight and die for it.
Do not let your life and your values and your actions slip easily into any mold, other that that which you create for yourself, and say with conviction, "This is who I make myself".
Do not give in to hope.
Remember that nothing you do has any significance beyond that with which you imbue it.
Whatever you do, do it for its own sake.
When the universe looks on with indifference, laugh, and shout back, "Fuck You!".
Rembember that to fight meaninglessness is futile, but fight anyway, in spite of and because of its futility.
The world may be empty of meaning, but it is a blank canvas on which to paint meanings of your own.
Live deliberately. You are free.